The songs are at odds with one another: “ LOVE.” is an ode to trust and commitment, backed by majestic, gliding synths “ LUST.” is rash and hellish, as Lamar, over a drum loop played backward, raps about seeking the quick affirmation that comes from being desired. On April 14th, Lamar released “ DAMN.” It’s filled with contradictions, seesawing between supreme needs and animal wants, heroism and self-loathing, loose thrills and the possibility of eternal damnation. But these simple, tidy guest appearances underscore how much attention he pours into the carefully rendered characters, symbols, and places that populate his own albums. His albums have sold well, and he’s contributed verses to hit songs by Taylor Swift and Maroon 5. He wanted to stay grounded, and not to sell out, and he explored this desire by making dark, adventurous music steeped in seventies funk and spaced-out jazz. The songs on that album communicated Lamar’s ambivalence about his sudden fame, particularly at a moment when the nascent Black Lives Matter movement was casting light on all the young people, growing up just as he had, who would never see their twenties. The success of “good kid” helped inspire “To Pimp a Butterfly,” released three years later. What made the album powerful was its acknowledgment of life’s precariousness, an awareness that arrives in the course of the day, as someone close to him is shot and Lamar begins rethinking his faith. city.” It was loosely structured around a seemingly average day from his teens: seeing about a girl, testing his parents’ patience, hanging out with friends and imagining that they are inside the reckless lyrics of a Young Jeezy song. In 2012, Lamar put out his major-label début, “good kid, m.A.A.d. While in high school, he began recording mixtapes, which caught the attention of a local manager named Anthony (Top Dawg) Tiffith. Lamar was born in Compton in 1987, the same year Eazy-E released “Boyz-n-the-Hood,” which, for many people, came to define the city. But Lamar’s circle seems only to grow smaller, his music indebted to those who came before. It has become commonplace for hip-hop’s biggest artists to see themselves as globalist curators, absorbing and spreading new sounds. His verses felt like pronouncements, the words rushing out as though he had been tasked with conveying an entire community’s joys and sorrows. At the 2016 Grammys, he began his performance as part of a chain gang. At the BET Awards, he performed the song on the roof of a vandalized police car. In the video for “Alright,” he soars over Los Angeles and the Bay Area, astonishing all who see him, until a cop brings him down. Será que o álbum sairá este ano? #kendricklamar #TDE “DAMN.,” he’s drawn to the idea of being judged by what we leave behind. Várias músicas aprecem hoje registradas de Kendrick Lamar e sua gravadora TDE. Tied to publishers Top Dawg Music, WC Music Group and Hardworking Black Folks Inc., sone titles registered include “Before The Hangman’s Noose,” “Director,” “Believe,” “Blow Ya Mind,” “Feel For You,” “End of the Line,” “Erika Kane,” “Driving Down The Darkness,” “Lesson Learned,” “Living My Life,” “Hood Love” and more.ĪSCAP / BMI são serviços de direitos autorais de música para garantir que você tenha os direitos sobre sua própria música. Word of the rapper filing for musical copyright with the organization comes after notes of him producing the final TDE album and dropping something in the near future. Four years after the release of DAMN., it looks as though K-Dot could be gearing up to deliver his fans some new music.
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